The Sea - John Banville

 

Published by Picador: London, England, 2005.

The 2005 Booker Prize winner, The Sea is written by Irish author John Banville.

This book is much shorter than Staying On was, and much quicker to read style-wise as well. I started reading it one evening and was finished two days later. The structure of the story is also more “modern”; both Staying On and The Sea are told in a non-linear fashion, jumping back and forth in time, but whereas Staying On would stay in one time period for a whole section, The Sea jumps from one time to another mid-paragraph.

The story is told as memories by the main character, Max, and feels almost stream-of-consciousness at times. Reminiscing on his childhood will remind him of time with his wife, before something in the “present” will catch his attention – and the narrative. To start with, this threw me off balance; I took a while to get my bearings on exactly what I was reading, and which time period I was in at any given point in the narrative, but it feels as though the author has done this intentionally.

There are three main time periods that the book, and Max, focus on: his summer holidays at a beach and the holidaying family he interacts with there as an eleven-year-old, his memories of watching his wife die, and the ‘present’ time of living in a quasi-retirement home back at the beach from his childhood memories. It seems clear that the stories of his childhood are going to have a great impact on his adult life, but the book doesn't reveal the reasons for this until the final few pages, with an event that is both deeply traumatising, and slightly unbelievable. Reflecting on the book a few days later, I'm still not sure exactly what I feel about this final event. There is a sense in which the book has been foreshadowing it, and elements of its sordidness feel entirely appropriate to the characters, and yet the final decisions of two of the characters involved in this moment still feel too extreme to me. Does it have impact? Yes. Does it explain why Max would struggle in some areas of his adult life? Yes. But does it really fit the characters…? Maybe…

The big themes in The Sea closely match the big themes in Staying On: a life not lived to its full potential (though Max is a lot more settled in his life decisions than Tusker and Lilly were), relationships that have “hung on” without the early spark, loss, death… Both also contain that sordid element, The Sea more so than Staying On (which may be due to the time period written in).

Completed 18 June 2017.

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